Get all 22 Michael William Gilbert releases available on Bandcamp and save 40%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Enhanced Surround(ings) for headphones, Signals, Densities of Light / Shimmering Lake, Cognitive Dissonance (Live), Surround(ings) binaural headphones render - EP, Saṃsāra, The Light That Wraps Me and All Things, The Vanished Day - EP, and 14 more.
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Moving Pictures Logo
01:49
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2. |
Ascents
11:59
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3. |
Unwinding
06:19
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Other Voices Other Rooms
04:24
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Steel Clouds
04:24
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Winter Light
05:31
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Plant Life
03:28
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8. |
Phase
03:54
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Michael William Gilbert Amherst, Massachusetts
Michael William Gilbert grew up in Connecticut and Brussels, where he first encountered the music of Varese and Pierre Henry, and music of India, Africa, and Japan. After studying EE at MIT, he studied at the Boston School of Electronic Music, later working there as a teacher and designer of custom synthesis systems. He then studied at and graduated with a degree in music from Hampshire College. ... more
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Electronic Music from the Eighties and Nineties
by Carl Stone
supported by 6 fans who also own “Moving Pictures”
The real title of this album is "Carl Stone songs you can cry to." Sonali will make you dance, I guess, but then you'll start crying again after that.
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supported by 5 fans who also own “Moving Pictures”
Wonderful stuff. Bass lines are deep. Love the looping percussive lines against the bass pattern in Island Of Birds.
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Symphony No 1 - Winter
by Douglas Schmidt and John Oliver
Improvised in a single stunning take, the compositions on “Symphony No 1: Winter” are hypnotic and enveloping sheets of sound.
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Tao 20 Tree Temple
by John Oliver
Stark ambient music with an environmental message, “Tao 20 Tree Temple” is mysterious & alluring.
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Visionist showcases vocals for the first time on his Mute debut, featuring collabs with members of Circuit des Yeux, Black Midi and more.
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supported by 5 fans who also own “Moving Pictures”
Norm's work has changed so slowly and organically over the last couple of years, it would be easy to overlook the fact that he is now making work that is profoundly different from his Panabrite days; a more complex, and present music that rewards the attentive listener rather than lulling them. Facets feels like a major step on this new path.
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